Persephone is a liminal figure, evoking the duality of the seasons which, as a result of the pathetic fallacy, we associate with dualities of human nature: light versus dark, warmth versus cold, passion versus frigidity, humanity versus roboticism. In Sylvia Plath’s “Two Sisters of Persephone,” this duality is used to uncover the contradictions inherent in the societal ideal of femininity. Continue reading →
Previously on Nashville: Gunnar brought his “it’s just casual” girlfriend on the road in a professional capacity, Gabriella blathered on about the lines between business and pleasure, [Janes: UGH Gabriella. I was hoping I could forget about her forever.] Deacon opened a dumb bar, Rayna signed Markus Keen and took away Maddie’s phone; Juliette almost killed herself and Gabriella kept Colt silent about it; and Juliette went to rehab, finally.
The Portrait of a Lady
No one delves into a character’s psychology quite like Henry James, and in Isabel Archer, he found a protagonist more than worthy of his meticulous deconstruction. She’s a formidable intellectual who doesn’t see the value in intellectual pursuits, she’s an idealist who isn’t quite sure what her ideals are, she’s an independent who is completely and utterly controlled by the malignant, vicious people in her life. She has a complex, distinctive personality and an indomitable will, all of which is systematically broken down by a small man with “exquisite taste.” It’s as tragic as it is insightful, sensitively portraying the experience of patriarchal oppression through the eyes of a woman who is determined to “behave picturesquely.”
Acquired: through kht, who warned me I would relate to the protagonist to an uncomfortable extent. I’ve thrice been told that I am like Isabel Archer, once as a lament, once as a compliment [To be clear, this was me –kht], and once as a scathing criticism. Only a Henry James character could find so many different ways to be relatable to a real person’s life.