In this episode, The Good Fight takes on one of the thorniest issues currently facing the tech world—and by extension, the actual world—when Neil Gross comes to the firm and asks them to come up with a plan of action for him to deal with trolls and racist or misogynistic harassment on his social media platform.
Previously on Homeland: A social worker took Franny away to a state-registered youth home after being tipped off by a Secretly Evil Dar Adal; Quinn was trapped in a safe house in the country with Astrid, after Dar Adal made a deal; Dar finally told Quinn about how Carrie woke him up to get information out of him; Javadi showed up to New York and got Saul to agree to set up a meeting between himself and the President-Elect; Keane was criticized by a vicious far-right talk show host named Brett O’Keefe.
Well, it was probably inevitable that, at some point, The Good Fight, which opened its pilot with a closeup of a second-wave feminist watching Trump’s inauguration in absolute horror, would eventually take a bigger swing at the president. In this episode, they really go for it, portraying a case whose entire outcome is swayed by one ill-thought-out tweet from the President himself.
We’re back to getting very little real action on Homeland—on the other hand, there is major payoff from a plotline that I was afraid was going to be forgotten forever.
In this episode, Matthew Perry returns to the universe of The Good Fight as Mike Kresteva, the cunning, shameless liar who made life hell for Alicia back in The Good Wife. He is so deep in the role as to be almost unrecognizable as the erstwhile Chandler Bing—it literally took me almost a full episode the first time he showed up, to realize that he was who he was. And he’s fun.
OK guys. I, your dilatory Nashville recapper, have been looking forward to recapping this TRAGICALLY MISOGYNISTIC episode for so long now, and since then, this show has descended into such a pit of bathos and absurdity that I almost… almost… feel bad about making fun of it. But I have assuaged my guilt by reminding myself that the real sufferers here are not the creators of this show but the people who are watching it.
So here’s what I’m wondering: has a high-quality premium cable-style show ever also been a classic procedural, with single-episode cases of the week?
We know that the prestige premium cable drama is the model The Good Fight’s going after. The Kings frequently defended themselves against any The Good Wife-directed snarking that they had to write 22 episodes a year, and it’s not easy to maintain tight-as-a-drum plot development with that pace of work. Now, with The Good Fight, they’ve landed themselves on a paying-subscribers-only location, with twelve episodes a season. But as we’re learning, a slower pace of production and a more expensive outlet doesn’t mean the drama is inherently deeper.
In last week’s episode, the action finally ramped up, coming from two surprising directions in a show that has always focused on terrorism from abroad. In this week’s episode, things get even more exciting—without interfering with the integrity of the show’s new socially conscious direction.
Previously on Nashville: Rayna’s dorky social media manager stole her jewelry box, a Zuckerberg type named Zach Welles wanted to be Best Friends with Rayna; Will asked Kevin to move in with him; Juliette felt Cadence pee on her leg, which, supposedly, was a good thing.
Previously on Homeland: Dar found Carrie at Franny’s playground to warn her that Keane didn’t realize the level of the threat America is facing; Saul accused Farhad Nefisi of breaking the nuclear deal, then met with an Iranian politician to find out if it was true; Quinn saw someone watching Carrie from across the way, and followed him to a parking lot filled with Medina vans; Carrie asked an old friend for a recording of Saad talking to Agent Conlin, and used the recording to get Sekou out of prison; Sekou went to his work driving a Medina van, and it blew up.
So, I’ve been complaining that Homeland wasn’t super exciting this season. Complaint withdrawn! This episode really got the ball rolling. FINALLY.
Adversion 