I quite liked this episode! Highlights include badass women fighting, another badass woman pursuing her dream, and a twist in the Edgar Evernever saga that I totally didn’t foresee but which makes the casting of Chad Michael Murray even more inspired. Also there’s a Henry James reference that I’m rather embarrassed to report I don’t really get–and that would be the one reference this show would make that I’m qualified to comment on.
The drug stuff gets more fun! But there’s also marital rape, so… sort of a wash.
Continue reading →
This episode is somewhat of an homage to Silence of the Lambs, as we’ll see later, so you can expect a lot of half-baked theorizing about criminal psychology. It’s going to be sort of like if a twelve-year-old had smoked crack and then attempted to write a smart psychological thriller about serial killers.
Conflict heats up between Betty and the Farm, which gives Chad Michael Murray as Edgar Evernever a chance to strut his creepiest stuff! I had a lot of fun watching this episode, when I wasn’t busy raging over all of the illogical choices that Jughead and Archie were making.
It’s already the season one finale! It’s a weird finale, strangely staid and anticlimactic, probably because the writer’s strike unexpectedly reduced the number of episodes. However, like many finales, it’s emblematic of the show in general–with moments of brilliance and moments that made me fully cringe.
Plus, blue meth! Continue reading →
The episode delivers on the title — I mean, when does a musical episode ever NOT? It’s still insane, but on the other hand, there’s singing, and a Very Special Guest Star from the classic years of the WB shows up at the end, in a deliciously dramatic fashion. A+ from Adversion.
The transformation into Heisenberg is complete! But before that–a whole lot of whining. Continue reading →