This episode is somewhat of an homage to Silence of the Lambs, as we’ll see later, so you can expect a lot of half-baked theorizing about criminal psychology. It’s going to be sort of like if a twelve-year-old had smoked crack and then attempted to write a smart psychological thriller about serial killers.
Conflict heats up between Betty and the Farm, which gives Chad Michael Murray as Edgar Evernever a chance to strut his creepiest stuff! I had a lot of fun watching this episode, when I wasn’t busy raging over all of the illogical choices that Jughead and Archie were making.
The episode delivers on the title — I mean, when does a musical episode ever NOT? It’s still insane, but on the other hand, there’s singing, and a Very Special Guest Star from the classic years of the WB shows up at the end, in a deliciously dramatic fashion. A+ from Adversion.
It’s Riverdale’s fiftieth episode, and in honor of that, they spend the episode celebrating FP’s fiftieth birthday.
Other than the fact that Jughead says “Bizarrotown” somewhere in the episode, I actually couldn’t figure out why this episode in particular got that moniker. I mean, no one even gets attacked by a bear or adopts approximately a thousand troubled youths or attends a fight club in a drained-out gym pool, so… not that bizarre, actually. In fact the real bizarre thing about this episode is that poor forgotten Kevin gets a plotline, so, maybe that explains the name.
In this episode, Betty learns moral lessons totally unjustified by actual events; Jughead channels Humphrey Bogart to rather amusing effect; Archie continues to be an absolute bore; and Veronica’s outfits are by far the MVP of the episode.
This episode, as always, leaned in to the camp factor with toothy delight. And it also… maybe… got rid of my least favorite character, or at least freed Jughead from his clutches. All in all, rather fun if also bewildering.