In this episode, The Good Fight takes on one of the thorniest issues currently facing the tech world—and by extension, the actual world—when Neil Gross comes to the firm and asks them to come up with a plan of action for him to deal with trolls and racist or misogynistic harassment on his social media platform.
Well, that was unexpected. Girls‘ final season just took a completely different direction in its fourth episode, courtesy of a huge reveal that was surprising by virtue of being entirely too conventional. All we need now is a wedding, a funeral, and a tearful going away party, and we’ll have the perfect ending to a very un-Girls-like 90s sitcom.
All right, let’s get to the personal growth rankings: Continue reading →
Previously on Homeland: A social worker took Franny away to a state-registered youth home after being tipped off by a Secretly Evil Dar Adal; Quinn was trapped in a safe house in the country with Astrid, after Dar Adal made a deal; Dar finally told Quinn about how Carrie woke him up to get information out of him; Javadi showed up to New York and got Saul to agree to set up a meeting between himself and the President-Elect; Keane was criticized by a vicious far-right talk show host named Brett O’Keefe.
Happy St. Patrick’s Day!
An amazing human on the internet wrote a hilarious in-depth study of the art collection of Mike and Carol Brady (at wearethemutants.com, found via Longreads). Favorite excerpt: “The wall space in the office vestibule suffered three different paintings in five years. This had a disorienting effect on the kids and may explain why Greg once abducted a goat.”
Margaret Atwood, whose Handmaid’s Tale is going to be on Hulu soon, penned an essay about the book’s sudden relevance to the events of today (via NYTimes).
Vulture writes of The Good Fight‘s strange dualities and inner contradictions. The article is full of clever and unexpected insights. The one thing I think they miss is the duality of the white privilege on the show–the white characters are forced to confront their privilege, yet they are only front-and-center on this show because of an inherently conservative TV structure where known quantities (more likely to be white) get top billing.
We can never resist a good long article on Rebecca Solnit, feminist hero, and inventor of mansplaining. (via Elle)
Well, it was probably inevitable that, at some point, The Good Fight, which opened its pilot with a closeup of a second-wave feminist watching Trump’s inauguration in absolute horror, would eventually take a bigger swing at the president. In this episode, they really go for it, portraying a case whose entire outcome is swayed by one ill-thought-out tweet from the President himself.
We’re back to getting very little real action on Homeland—on the other hand, there is major payoff from a plotline that I was afraid was going to be forgotten forever.
In this episode, Matthew Perry returns to the universe of The Good Fight as Mike Kresteva, the cunning, shameless liar who made life hell for Alicia back in The Good Wife. He is so deep in the role as to be almost unrecognizable as the erstwhile Chandler Bing—it literally took me almost a full episode the first time he showed up, to realize that he was who he was. And he’s fun.