Lots of fallout from the Tuco incident. Even more whining from Walt. But in the end, we get our reward: Jane! Continue reading →
It’s already the season one finale! It’s a weird finale, strangely staid and anticlimactic, probably because the writer’s strike unexpectedly reduced the number of episodes. However, like many finales, it’s emblematic of the show in general–with moments of brilliance and moments that made me fully cringe.
Plus, blue meth! Continue reading →
The transformation into Heisenberg is complete! But before that–a whole lot of whining. Continue reading →
Hello, again! The second episode is funny and kind of great, yo! Continue reading →
A classic pilot! And it’s actually a pretty good one, in the sense that, like all the best pilots, it’s a microcosm of the whole. This series premiere captures everything I admire, and exemplifies everything I find completely facile about Breaking Bad. Continue reading →
It would be a giant understatement to call this an “unpopular opinion,” but I just don’t like Breaking Bad. I don’t super enjoy watching it, which would be fine–there are a lot of great shows that I admire even as they’re not to my taste. But in this case, even the admiration factor is pretty low. Beyond simple enjoyment, I just don’t think Breaking Bad is that great a show. Continue reading →
You may or may not have noticed that we have stopped recapping Nashville, and it’s not because we’re lazy and/or behind (although that’s often the case). It’s because–and we’re sad to say this–Nashville has jumped the shark, an especially impressive feat for a show that was already about feuding country singers. So instead of recapping a show that has become too ridiculous even for our teen-soap-loving sensibilities, we’re going down the list of the best (or, more accurately, worst) jumping-the-shark moments that we’ve seen on television.
There are only three (loose) rules for something to qualify as jumping-the-shark: 1) It has to be f*cking ridiculous, in direct proportion to how ridiculous the show was to begin with; 2) it should preferably be a ratings ploy; and 3) it has to mark the point-of-no-return that begins a downward spiral, an evolution into a significantly stupider and/or offensive show that we never would have watched if we weren’t already attached to the characters. Enjoy.