“My mother assures me that it happens to everyone, sooner or later,” says Julia, the narrator of Claire Messud’s new novel The Burning Girl; “…everyone loses a best friend at some point.”
Julia is quiet, cautious, and sensitive; her soon-to-be-lost best friend is Cassie, a fragile-looking, “troubled” girl, much more daring and eventually more popular. As Dwight Garner observed in The New York Times, “This pairing is a familiar one”–so many other novels about female friendships, from my favorite YA novel Someone Like You to recent literary phenom My Brilliant Friend, seem to feature the same general contrast. And it seems to be the universal inclination of writers (many of whom are quiet and sensitive) to narrate from the point of view of the less daring, the less dynamic friend—the friend with less story to tell. The narrator then spends so much time looking at her friend, watching her, resisting her stories rather than driving forward her own, that the novel’s center of gravity rests between narrator and friend, rather than centering on the narrator.
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Vulture has a list of Taylor Swift’s best comebacks from her testimony in a sexual assault trial (for those who missed it, she is accusing a man of reaching under her skirt and groping her butt during a photo shoot). I think my favorite is when someone asked her why the front of the skirt doesn’t look mussed: “Because my ass is located in the back of my body,” she answered.
Here’s an interesting article in the Washington Post about the culture of songwriting, competition, and collaboration in real-life Nashville. Makes you wonder what might happen if Scarlett and Gunnar’s best early songs had been put on hold by Rayna or Juliette in the first season and never released!
The New York Times has a long, in-depth profile of one of my very favorite living authors, Claire Messud, who writes about angry and disappointed women in a beautiful and precise prose style. I learned that like me, she’s never learned to cook, which just makes me more sure that she is my hero.
The new season of Rick and Morty is shaping up to be truly incredible, and Film Crit Hulk has a wonderful meditation on/appreciation of the devastating third episode.