Links We Loved This Week — 5/27/16

At We Minored in Film, Kelly Konda writes about the women involved in Neighbors 2: Sorority Rising who made it surprisingly feminist — including Chloe Grace Moretz herself.

Mario Vargas Llosa published an excellent essay on the value of literature at the New Republic. Yes, a million essays have been published on this topic. But few of them were by Nobel prize winners who have written so generously and expansively about the human condition as Vargas Llosa, who writes:

Literature says nothing to those human beings who are satisfied with their lot, who are content with life as they now live it. Literature is the food of the rebellious spirit, the promulgator of non-conformities, the refuge for those who have too much or too little in life.

Vulture writes about how The Mindy Project responded to critiques of its representation with the “Coconut” episode — and how Unbreakable Kimmy Schmidt didn’t quite respond as well.

Nashville ended this week, presumably, though the #bringbackNashville campaign is still going strong on Twitter. (It also ended on a cliffhanger, with an alternate happy ending filmed just in case, and Lionsgate sounds very confident it will come back on another platform.) The Internet bid it a contingent goodbye with some fun thought pieces:

Links We Loved This Week – 4/29/16

The AV Club wrote a fantastic article on how the Good Wife broke all the rules of TV legal dramas, and then broke itself. Also, the NYT did a great interview with Julianna Margulies and the Kings – though they got quickly shut down when they asked about Archie Panjabi!

Last week was Charlotte Bronte’s 200th birthday (read our piece on Villette here). Electric Literature ran an interesting piece (that we VEHEMENTLY disagree with) on rereading Jane Eyre and finding it somewhat less awesome.

 

We saw The Huntsman: Winter’s War last Friday. We were all really excited for it, and at least one of us was also pretty drunk, but we HATED it. Here are some takes from around the web:

Gizmodo says, “The fact that we get to see this pointless, silly movie made with an A-list cast… is one of the great marvels of our age.”

The Mary Sue laments that it’s “generic white male hero number eleventy five million.”

The Atlantic mourns the “bizarre camp classic that almost was.”