This episode is somewhat of an homage to Silence of the Lambs, as we’ll see later, so you can expect a lot of half-baked theorizing about criminal psychology. It’s going to be sort of like if a twelve-year-old had smoked crack and then attempted to write a smart psychological thriller about serial killers.
Conflict heats up between Betty and the Farm, which gives Chad Michael Murray as Edgar Evernever a chance to strut his creepiest stuff! I had a lot of fun watching this episode, when I wasn’t busy raging over all of the illogical choices that Jughead and Archie were making.
It’s already the season one finale! It’s a weird finale, strangely staid and anticlimactic, probably because the writer’s strike unexpectedly reduced the number of episodes. However, like many finales, it’s emblematic of the show in general–with moments of brilliance and moments that made me fully cringe.
Plus, blue meth! Continue reading →
The episode delivers on the title — I mean, when does a musical episode ever NOT? It’s still insane, but on the other hand, there’s singing, and a Very Special Guest Star from the classic years of the WB shows up at the end, in a deliciously dramatic fashion. A+ from Adversion.
The transformation into Heisenberg is complete! But before that–a whole lot of whining. Continue reading →
It’s Riverdale’s fiftieth episode, and in honor of that, they spend the episode celebrating FP’s fiftieth birthday.
Other than the fact that Jughead says “Bizarrotown” somewhere in the episode, I actually couldn’t figure out why this episode in particular got that moniker. I mean, no one even gets attacked by a bear or adopts approximately a thousand troubled youths or attends a fight club in a drained-out gym pool, so… not that bizarre, actually. In fact the real bizarre thing about this episode is that poor forgotten Kevin gets a plotline, so, maybe that explains the name.