Links We Loved This Week — 8/26/17

I could not be more excited for Claire Messud’s next book, coming out on Tuesday. Here’s a post from her about her mother’s library, on Lithub.

In other news, James Cameron (who once claimed his white-savior Fern Gully ripoff didn’t win Best Picture over his ex-wife’s gritty war film because he was… too famous and well-financed?) is still an idiot, but at least now we have Patty Jenkins to call him out.

In light of the “fake feminist” allegations against Joss Whedon, a sensitive essay from Indiewire about the need for fandoms to listen to women first and their idols second.

Lilith’s Brood by Octavia Butler is finally coming to TV, courtesy of Selma‘s Ava DuVernay! Read our review of the trilogy here.

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Links We Loved This Week — 7/7/17

The New Yorker released the first English translation of Italo Calvino’s short story, “Adventure of a Skier.” We loved it, and wished that more New Yorker stories were as weighty yet enjoyable as this one.

The Onion‘s Spider-Man review (via Indiewire) hilariously objectified Tom Holland the way movie critic David Edelstein slobbered over Gal Godot. “Superbabe in the woods” will never be a thing.

Why is Jane Austen so popular? Big Data can give us the answer by analyzing her word choices. (via NYTimes)

Stephen Greenblatt wrote a powerful article for The New Yorker about how Shylock can teach tolerance even while exemplifying anti-Semitism.

Have you read Roxane Gay’s book Hunger yet? If you weren’t already planning on reading it, we dare you to read this adapted excerpt in The Guardian and not put it on your Amazon wish list.

Wonder Woman holds a shield in one hand and a sword in the other, with a gleam of sunlight behind her.

See Wonder Woman. It’s “neat.”

I didn’t see Wonder Woman in an all-female screening. In fact, I was with Keets, and we were sitting near at least two groups of men who had come with no women at all. Which was a good thing, from my perspective; it’s nice to live in a city where people’s appetite for cliché-ridden action movies seems to depend more on their quality than the gender of the top-billed actor.

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