Links We Loved This Week — 8/12/16

Margot Robbie deserves better than Suicide Squad’s sexism, or The Big Short’s, or Vanity Fair’s, or The Wolf of Wall Street’s. She has been objectified for her entire career but still manages to knock it out of the park every time (via AV Club).

Jeffrey Dean Morgan didn’t like The Good Wife finale either! But for VERY different reasons from us. For some reason he didn’t notice that he was playing a complete asshole. (via EW)

It’s happening, guys! According to TVLine, Rupert Friend is coming back to Homeland. We were not exactly thrilled about how his supposed exit played out, so let’s hope the show redeems itself and uses Rupert Friend’s talent a leetle bit more wisely, and less sentimentally, this season.

The Americans is ending after its sixth season (boo-hoo), and according to Indiewire, the showrunners have a 50-page document detailing everything that happens in the next two seasons, called the Final Plan. They also reveal that Margo Martindale and Frank Langella will wrap up their storylines next season. Do we think that means they’re going to die??

The Lost Boys of Hook reunited to pay tribute to Robin Williams and Vulture collected their reenactment tweets. It’s pretty amazing.

The Atlantic writes on the mess that is Unreal Season 2 and the potential for an amazing season 3.

Kindle delenda est.

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Links We Loved This Week — 8/5/16

An in-depth analysis of Watchmen and the conundrum of “adapting the unadaptable”:

The Establishment has a comprehensive survey of the history and evolution of queer YA literature (by an eighteen-year-old who can already write circles around most of the older writers on the internet). Want to know exactly when people stopped killing off their LGBTQ queer love interests (or at least stopped doing it as often)? Read to find out!

THR‘s rare interview with on and off-screen couple Keri Russell and Matthew Rhys, which includes interesting analysis on the flipping of gender roles in The Americans and Rhys joking that real-life Keri Russell “doesn’t have the ice of Elizabeth — though sometimes she does.”

The hilariously terrible Suicide Squad has yielded some amusing zingers, from Forbes calling it “an all-out attack on the whole idea of entertainment” to SFGate describing it as “two hours of soul-sickening torment.” But the harshest indictment of our current blockbuster season comes from Indiewire, who says that between Suicide Squad, Jason Bourne, Independence Day: Resurgence, X-Men: Apocalypse, Warcraft, and more, “this is what plays in the multiplex in Hell.”