Westworld Recap: 1×09 “The Well-Tempered Clavier”

Previously on Westworld: A lot, like a LOT. Dolores and William got captured by Logan (the artist previously known as Goofus) and his buddies. Dolores and Bernard, apparently, were secretly conversing about her changes in consciousness. Bernard was mad when Ford got him to kill Theresa. Teddy remembered about Ed’s whole thing with Dolores and punched him, but then some blonde woman (Angela, according to the closed captions, not that they ever say it, with this show’s typical blissful lack of attention to such details) stabbed him with an arrow and told him Wyatt, the big baddie, needed him. Maeve got Lutz to help her get magical powers over other hosts, and she planned to recruit an army. Ed confessed that he had once killed a version of Maeve, and meanwhile, Maeve stabbed the new Clementine for no apparent reason. Also, there was a maze, dunno if you caught that. It’s kind of a big deal.

 

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Links We Loved This Week — 12/3/16

This week in media, everyone has an opinion on Gilmore Girls! Here are a few of the best we’ve read, and stay tuned–we’ll be putting up a few opinions of our own here. There seems to be just one thing everyone can agree on: Fat-shaming sucks.

At Vox, Aja Romano makes a compelling argument that Stars Hollow, or maybe the show itself, is in the business of destroying women’s potential.

The Atlantic thinks Rory is a horrible journalist, and we have to agree.

At The New Yorker, Betsy Morais views Rory as a case of arrested development.

Duana at Lainey Gossip bucks the trend, arguing that Rory isn’t that bad.

At Vulture, Amy Sherman-Palladino explains why A Year in the Life ends just before the election: because they didn’t have the budget to show what happens when the actual devil takes over the world. Hee!

At Vanity Fair, Laura Bradley makes the argument that Emily is the real protagonist. I don’t know about that, but she is certainly a delight.

Amy Sherman-Palladino says in her first post-revival interview that Rory doesn’t have to go through with [SPOILER], although from context clues, that seems a little disingenuous.

Westworld Recap: 1×08 “Trace Decay”

Previously on Westworld: The man in the black hat was looking for a maze, with Teddy, who was looking for Dolores, who was looking for a place from her dreams, with William, the artist formerly known as Gallant. Theresa and Charlotte faked a problem with Clementine, which led to Bernard being fired; Maeve tried to force Lutz and Sylvester to help her escape; Bernard turned out to be a secret robot, and Ford had Bernard kill Theresa. Also—not that anyone cares about this—Elsie disappeared.

Ford brings Bernard online, down in the secret lab. Bernard is being quite emotive for Bernard, breathing heavily and crying softly. “What have I done?” he wails. Ford, rather cold-heartedly, says only that he thinks Bernard’s fake emotions are very impressive, since he was the author of many of them. The human engineers couldn’t create complicated emotions, so Ford built Bernard to do it. Bernard pleads that he loved Theresa, and Ford says that one man’s life or death was a small price to pay for the “knowledge that I sought, the dominion I should acquire.” Not that Theresa’s was a man’s life, but Ford is obviously not very interested in feminism. Bernard yells that he’s not going to help Ford, and he’s going to raze this place to the ground. It’s quite a change from his usual diminished affect. Ford, of course, freezes him just as he overturns his chair. “I don’t need a simulacrum of an emotionally ruined man,” he comments. He just wants Bernard to cover his own tracks. Bernard puts his glasses on and asks Ford calmly how he’d like him to proceed.

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Rory holds a cup of coffee.

Rory’s Boyfriends: The Patented Rory Gilmore Pro-Con List

By Nerdy Spice and Janes

It’s time, guys. We need to settle this question once and for all before the revival comes out tomorrow, so that we know who to root for: Dean? Jess? Logan? Only a Rory Gilmore-style pro-con list — weighted according to their importance so that this process remains extremely mathematical and objective — can tell us.

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Westworld Recap: 1×06 “The Adversary”

In the wake of the US elections, I almost didn’t bother writing this recap. TV, art, and criticism seem too frivolous and ephemeral to be interesting when you’re living in a country that is in the throes of a spectacular crisis. But Westworld is a perfect example of why art still exerts a claim on our attention, even in the midst of catastrophe. It’s a show about people indulging their darkest impulses towards women, knowing there will be no consequences for doing so. What could be more relevant to confronting the reality of the new American president-elect?

With that—to the races.

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Westworld 1×04: “Dissonance Theory”

Previously on Westworld: Ford had a partner named Arnold who wanted to create consciousness; Ford’s working on a storyline about a white church; Teddy got a new storyline to explain his mysterious backstory; The Man In Black (Ed) kidnapped Lawrence to help him find the maze; Elsie found a man in the desert who smashed his own head with a rock; Maeve started to have memories; Dolores finally learned to shoot a gun, then collapsed in the arms of Gallant.

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Westworld Recap: 1×03 “The Stray”

Previously on Westworld: Goofus and Gallant showed up to the park to make mischief; Bernard told Dolores she’d changed; Dolores dug up a gun; some dude murdered a bunch of people with milk and it was totally freaky; Daddy: Original Flavor got retired, and Elsie worried that it was contagious; Bernard thought it might be sabotage; Maeve woke up during surgery and saw a dead Teddy in a giant tank full of temporarily dead androids.

Cue the credits, which are super long—a thing I normally approve of, being nostalgic for the days of almost-full-length theme songs (remember “Searchin’ My Soul”? “California”? That song about God being one of us from the late great Joan of Arcadia?) but Westworld doesn’t show the actors in the credits, or actual clips from the show, so it’s more artsy and less tugging at the fannish heartstrings than other long theme songs which I have loved in my youth.

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Westworld Recap: 1×02 “Chestnut”

Previously on Westworld: A lot of things, but just to run down the cast of characters: Dolores and Teddy are androids living in a park that caters to rich visitors who fantasize about the Wild West; the Man in Black, or “Ed” as we’ll be calling him, totally scalped a dude to find out the deeper levels of the game; Bernard is a mild-mannered scientist who works on the androids under the direction of fierce corporate exec Theresa and the scientist who apparently started it all, Ford. Also, Dolores’s dad has just been seamlessly replaced by a new android after the last one started to question the nature of his reality, and Dolores just slapped a fly, which she’s not supposed to be able to do.

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Links We Loved This Week — 10/15/16

Keith & the Movies gives a rave review to one of our favorite movies from this year, Jane Austen adaptation Love & Friendship.

“I can’t imagine anything a black man would want to be more right now than bulletproof,” says Mike Colter in an article on the Huffington Post, “Marvel’s Luke Cage is the Bulletproof Black Superhero We Need Right Now.

Aaron Bady of The LA Review of Books calls HBO’s Westworld “the most consciously reflexive TV show I’ve ever seen.”

The New Yorker argues that the so-called “first conservative art show in America” inspired by Donald Trump is quite terrible from an artistic perspective, which, sure.

You know you want to read an epic fanwank from 2009 about the theory of management (supposedly) underlying The Office.

At the LA Review of Books, Aaron Hanlon passionately argues against the tired notion that humanities Ph. D.s are irrational for pursuing their degrees at all.