Links We Loved This Week — 9/2/16

Stylus writes about Echo and the Bunnymen‘s eerie–and apropos–“Villiers Terrace.”

EW‘s Fall Book Preview, including Zadie Smith’s Swing Time, Elena Ferrante’s “dark and eerie” tale of a doll abandoned on a beach, and Margaret Atwood’s comic about a part-bird, part-cat superhero.

Variety‘s list of most anticipated movies this Oscar season, including Chris Pratt and Jennifer Lawrence starrer Passengers, Derek Cianfrance’s Light Between Oceans–starring real-life couple Alicia Vikander and Michael Fassbender–and Denis Villeneuve’s Arrival.

Speaking of Arrival, it’s getting RAVE reviews out of Venice. Here’s our favorite, from The Playlist.

You’re the Worst came back this week! We’ll be posting coverage of the premiere shortly, but for now, here’s Stephen Falk on the characters’ unsuitability for parenthood and the “traumatic” romantic experiences of the writers.

[Saying “I love you” is] never a mutual thing, it’s always one person says it. But yeah, in the writer’s room, we tell a lot of personal stories, and I do remember, yes, a lot of stories of saying it and getting a “thanks” back, or something horrible like that. All the writers have a lot of romantic trauma in our past, so there’s a lot to mine in that room.

Did you think Kafka made up the hunger artist idea? I did, but Atlas Obscura revealed that this was actually a long-running obsession in Europe.

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Links We Loved This Week — 6/17/16

There was a Friday Night Lights reunion in Austin. Where do Minka and Taylor think their characters are now? (at Vanity Fair via Lainey Gossip, which has lots of squee-worthy pictures of same.)

The New Yorker has a compelling piece on unREAL.

…beneath the giddy parody “Unreal” offers a singular meditation on stardom, media mendacity, sexism, and competition among women

The Bronte society is having some, errrr, issues (from the Guardian, via the Rumpus).

You’re the Worst‘s Aya Cash gives a typically funny and insightful interview with Indiewire. Give this girl all the Emmys!

An interesting piece from AV Club on the success of Scream and the curious subsequent disappearance of meta-horror. (But would Cabin in the Woods, You’re Next, and Tucker and Dale versus Evil have existed without Scream? Probably not.)