With some closure for Carrie and Quinn, and the clues about what’s happening falling into place, this episode sets us up for a game-changing finale.
With some closure for Carrie and Quinn, and the clues about what’s happening falling into place, this episode sets us up for a game-changing finale.
I have to say, I was definitely a naysayer about Adam and Jessa’s movie, but now I’m a believer. Not in the sense that I think the movie itself will be good; it still looks like a corny and even more twee version of 500 Days of Summer. It checks all the boxes of the worst kinds of indie movies: a manic pixie dream girl (because OF COURSE that’s how Hannah looks from Adam’s perspective), stereotypes about mental illness (“My head feels so noisy, I just want it to stop!!”), a dysfunctional relationship, and a cute yellow sundress.
But I’m on board with the movie as a plot device, if only because it gives us a hilariously meta spoof of Girls‘ early seasons. Hannah clumsily dancing half-naked to an ironically cheerful song, Hannah and Adam being ridiculously melodramatic about their relationship (“I don’t care if you ruin my life, at least you’ll have been in my life”), and Hannah wanting to be treated like shit by a guy, because that’s just so painfully edgy.
But anyway, let’s get to the personal growth rankings: Continue reading →
The pace of human change is slow, as I remarked last week–but it can still happen. This week, we see Carrie’s priorities, however unevenly, shift towards Franny.
As usual, this episode is a fascinating exercise in alternate reality: How would the “fake news” issue and the frothing rage of right-wing media, and the concept of a “deep state” working against the elected government, look in a very different world where the President hadn’t, you know, hired the King of Fake News as his advisor?
In this episode, The Good Fight takes on one of the thorniest issues currently facing the tech world—and by extension, the actual world—when Neil Gross comes to the firm and asks them to come up with a plan of action for him to deal with trolls and racist or misogynistic harassment on his social media platform.
Well, that was unexpected. Girls‘ final season just took a completely different direction in its fourth episode, courtesy of a huge reveal that was surprising by virtue of being entirely too conventional. All we need now is a wedding, a funeral, and a tearful going away party, and we’ll have the perfect ending to a very un-Girls-like 90s sitcom.
All right, let’s get to the personal growth rankings: Continue reading →
Previously on Homeland: A social worker took Franny away to a state-registered youth home after being tipped off by a Secretly Evil Dar Adal; Quinn was trapped in a safe house in the country with Astrid, after Dar Adal made a deal; Dar finally told Quinn about how Carrie woke him up to get information out of him; Javadi showed up to New York and got Saul to agree to set up a meeting between himself and the President-Elect; Keane was criticized by a vicious far-right talk show host named Brett O’Keefe.
Well, it was probably inevitable that, at some point, The Good Fight, which opened its pilot with a closeup of a second-wave feminist watching Trump’s inauguration in absolute horror, would eventually take a bigger swing at the president. In this episode, they really go for it, portraying a case whose entire outcome is swayed by one ill-thought-out tweet from the President himself.
We’re back to getting very little real action on Homeland—on the other hand, there is major payoff from a plotline that I was afraid was going to be forgotten forever.
In this episode, Matthew Perry returns to the universe of The Good Fight as Mike Kresteva, the cunning, shameless liar who made life hell for Alicia back in The Good Wife. He is so deep in the role as to be almost unrecognizable as the erstwhile Chandler Bing—it literally took me almost a full episode the first time he showed up, to realize that he was who he was. And he’s fun.