Renee Zellweger gave a starkly honest interview to Hollywood Reporter about sexism in media coverage. (That’s a problem that Leslie Jones and Margot Robbie have suffered this summer too — and they’re just two of the best-known out of many, many examples.) It doesn’t mean we want to see Bridget Jones’ Baby, though.
Vox agrees with us that you should probably be watching Braindead (among other things, including Mr. Robot and You’re the Worst), in its list of 18 summer shows you should be watching.
OK, this one is old, but somehow we missed it. Rory Gilmore gives Michelle Obama some books. And then some more books. And then some more…
Don’t forget that Rory got her start as a journalist on Obama’s campaign bus, just months before he was elected the first black president. CALLBACK!
This was amazing:
The Mountain Goats are definitely an acquired taste, but her description is beyond perfect: “I don’t know if you ever heard of that band; it’s more just this one guy. He’s got a guitar, he has 4 chords—odd little white man—and he has a voice that should not work for me… but when he sings, he will flense your heart.
I don’t agree with the characterization of Buffy as “vapid,” but otherwise this analysis of Buffy the Vampire Slayer from Hitfix‘s Alan Sepinwall is delightful.
Stylus writes about Echo and the Bunnymen‘s eerie–and apropos–“Villiers Terrace.”
EW‘s Fall Book Preview, including Zadie Smith’s Swing Time, Elena Ferrante’s “dark and eerie” tale of a doll abandoned on a beach, and Margaret Atwood’s comic about a part-bird, part-cat superhero.
Variety‘s list of most anticipated movies this Oscar season, including Chris Pratt and Jennifer Lawrence starrer Passengers, Derek Cianfrance’s Light Between Oceans–starring real-life couple Alicia Vikander and Michael Fassbender–and Denis Villeneuve’s Arrival.
Speaking of Arrival, it’s getting RAVE reviews out of Venice. Here’s our favorite, from The Playlist.
You’re the Worst came back this week! We’ll be posting coverage of the premiere shortly, but for now, here’s Stephen Falk on the characters’ unsuitability for parenthood and the “traumatic” romantic experiences of the writers.
[Saying “I love you” is] never a mutual thing, it’s always one person says it. But yeah, in the writer’s room, we tell a lot of personal stories, and I do remember, yes, a lot of stories of saying it and getting a “thanks” back, or something horrible like that. All the writers have a lot of romantic trauma in our past, so there’s a lot to mine in that room.
Did you think Kafka made up the hunger artist idea? I did, but Atlas Obscura revealed that this was actually a long-running obsession in Europe.
This blog has officially been in existence for one year, since we published our intro post on August 28, 2015. It’s been a fun year for Adversion. Every week we get together at a local cafe and work on our posts and argue about Gilmore Girls. And we’ve published some things we’re really proud of, from fanwanky TV recaps to “short” posts on whatever we’re reading that week (that often turn into essay-length screeds).
Here are the top ten most popular posts we’ve published in our first year:
Continue reading →
The LA Review of Books tackles why the new Bourne movie was so unsatisfying. No one cares about your daddy issues, Jason.
Sure, we’re all thrilled to death about the Gilmore Girls revival—but don’t forget that other bookish heroine, Anne of Green Gables, who falls in love with a boy only after long years of vying with him for the top of the class. She too is being revived—and Netflix has just partnered up with the reboot, according to The Hollywood Reporter.
The part of the internet that we read is clamoring with support for Leslie Jones, who has been the victim of incredibly frightening racist harassment. Here is one piece on the topic worth reading, from The Establishment. We don’t usually address celebrities directly because, let’s face it, we’re way too small for them to care, but: Our hearts are with you, Leslie!
The University of Chicago has taken a stand in the culture wars that kicked off on campuses last year. While one sentence is never going to capture all the nuance in this issue, we at Adversion can definitely agree with a call for college students to be challenged and made uncomfortable by literature.
Aldous Huxley sent his former student George Orwell a letter that basically amounts to one extended neg. Open Culture describes it as “My Hellish Vision of the Future Is Better Than Yours (1949).” (DISAGREE, Huxley!) [Keets: the scoreboard is definitely on Huxley’s side, though…]
The Times Literary Supplement takes a look at some recent books on Byron–from the vindication of Lady Byron to the burning of his memoirs. Interestingly, Byron’s daughter Ada “is widely celebrated as having anticipated computer coding by over a century.”
Heather Havrilesky, who writes the fabulous “Ask Polly” columns at NYMag, interviews Winona Ryder and discusses the pathologization of female emotion.
Even if the phrase “fag hag” is so 1999, you won’t care while you’re reading this absurdist ranking of the Top 10 Fag Hags of Henry James. (via LA Review of Books)
As, it seems, always, McSweeney’s lit crit is killing it: Quiz: Are you an unlikable female narrator?
Idiocracy director tells The Daily Beast why his movie has become a documentary.
Freud has a field day as the “subtle” metaphors of the James Bond credits are revealed (via Slashfilm).
Margot Robbie deserves better than Suicide Squad’s sexism, or The Big Short’s, or Vanity Fair’s, or The Wolf of Wall Street’s. She has been objectified for her entire career but still manages to knock it out of the park every time (via AV Club).
Jeffrey Dean Morgan didn’t like The Good Wife finale either! But for VERY different reasons from us. For some reason he didn’t notice that he was playing a complete asshole. (via EW)
It’s happening, guys! According to TVLine, Rupert Friend is coming back to Homeland. We were not exactly thrilled about how his supposed exit played out, so let’s hope the show redeems itself and uses Rupert Friend’s talent a leetle bit more wisely, and less sentimentally, this season.
The Americans is ending after its sixth season (boo-hoo), and according to Indiewire, the showrunners have a 50-page document detailing everything that happens in the next two seasons, called the Final Plan. They also reveal that Margo Martindale and Frank Langella will wrap up their storylines next season. Do we think that means they’re going to die??
The Lost Boys of Hook reunited to pay tribute to Robin Williams and Vulture collected their reenactment tweets. It’s pretty amazing.
The Atlantic writes on the mess that is Unreal Season 2 and the potential for an amazing season 3.
Kindle delenda est.
An in-depth analysis of Watchmen and the conundrum of “adapting the unadaptable”:
The Establishment has a comprehensive survey of the history and evolution of queer YA literature (by an eighteen-year-old who can already write circles around most of the older writers on the internet). Want to know exactly when people stopped killing off their LGBTQ queer love interests (or at least stopped doing it as often)? Read to find out!
THR‘s rare interview with on and off-screen couple Keri Russell and Matthew Rhys, which includes interesting analysis on the flipping of gender roles in The Americans and Rhys joking that real-life Keri Russell “doesn’t have the ice of Elizabeth — though sometimes she does.”
The hilariously terrible Suicide Squad has yielded some amusing zingers, from Forbes calling it “an all-out attack on the whole idea of entertainment” to SFGate describing it as “two hours of soul-sickening torment.” But the harshest indictment of our current blockbuster season comes from Indiewire, who says that between Suicide Squad, Jason Bourne, Independence Day: Resurgence, X-Men: Apocalypse, Warcraft, and more, “this is what plays in the multiplex in Hell.”